Thursday, 21 October 2010

McQ, Aftermath

Sarah Burton proved she's the only choice to expand on Lee McQueen's legacy with a Resort collection that effortlessly updated his design codes without losing his drama. There's so much great material lying fallow in old McQueen collections that it would overwhelm anyone without the empathy, experience, and ability to edit that Burton brings to a difficult job.

Significantly for the future, proportions were lifted, with a higher waist taking some of the edge off of McQueen's traditional silhouette. Pieces like this have a straightforward chic.

It worked spectacularly well with evening dresses that fell away beautifully from the torso. One of them—in what looked like blood-drenched chiffon—evoked a vision of Isabelle Adjani in La Reine Margot, one of McQueen's favorite movies. It seems a taste for the macabre comes as naturally to Burton as it did to him. She shares his instinct for extreme glamour, too. His Hollywood clientele will scarcely be disappointed.

The tension between hardness and fragility that characterized McQueen's work was successfully sustained in defined shoulders (some armored like a samurai's) and tailored torsos that fell away into fins of diaphanousness. Burton continued to hybridize fabrics as she did in the Fall collection—lace transformed into chiffon in one cocktail dress.

Touches like that should allay the inevitable fears of McQueen's fans that continuation of his line would involve some kind of sellout. Burton hasn't neglected the dark romance, either—the brocades, the bullion embroidery are still here. She's simply let some light in.

Pictures via Style/


Philosophia said...

Oh I absolutely love those dresses. Red and black are my favourite, but especially black - no better way to exude sexiness! Love the post. :)

Anonymous said...

great post! thanks for sharing:)